Salomon's personal timeline, a place to collect and share things from Salomon's life.
Created by calligrapher on Jul 9, 2008
Last updated: 10/23/10 at 06:39 PM
Journal of Ottoman Calligraphy has no followers yet. Be the first one to follow.
Panel written in Jali Tariq Gubari script, complete 83 Verses of the Chapter (36) sūrat yā sīn , undated but signed Ahmet Izzet , 27 x 40 cmPhotography/ Text © Antik A.S. JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/tX4Yn6OOx_g/ahmet-izzet.html
Quranic vers panel, written in Taliq Gubari script, signed,dated 1341/1922, 40x50cmPhotography/ Text © Antik A.S. JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/1BsBCE36apU/mehmet-nuri-sivasi-dated-13411922.html
SAD KALIMA (THE HUNDRED SAYINGS OF IMAM 'ALI), SHIRAZ, PERSIA, TIMURID, DATED A.H. 845/A.D.1441 & A.H. 848/A.D. 1444Arabic manuscript on paper, 38 leaves, 11 lines or fewer to the page, written in naskhi and muhaqqaq scripts in black ink on buff paper, subheadings in gold outlined in black, two illuminated and polychrome headpieces with titles in gold kufic within scrolling floral cartouches, dated twice, in circa 16th century Ottoman gilt-stamped binding.28 by 18cm.Photography/ Text © S.Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/mkcvFffmEFQ/sad-kalima-hundred-sayings-of-imam-ali.html
AN ILLUMINATED OTTOMAN QUR'AN, COPIED BY AHMED NAILI OF GALATA (D.1813), TURKEY, DATED A.H. 1193/A.D. 1779Arabic Manuscript on paper, 303 leaves, 15 lines to the page written in neat naskhi script in black ink, ruled in a thick gold border, verses separated by gold rosettes with coloured dots, sura headings in white against gold ground cartouches with coloured floral decoration, illuminated marginal devices comprising flowerheads issuing sprays in colours and gold, tenth verses marked with a gold 'ashr' in the margin, double page frontispiece decorated with enjoined coloured flowers against blue and gold grounds, the text within cloudbands against a punched gold backgound, within a contemporary gilt-stamped morocco binding with marbled-paper doublures and flap.20 by 13cm.Photography/ Text © Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/HYa216yWf78/illuminated-ottoman-quran-copied-by.html
A LARGE ILLUMINATED QUR'AN LEAF IN KUFIC SCRIPT, NEAR EAST OR NORTH AFRICA, LATE 9TH CENTURYText: surat al-baqara (II), part of verse 187.Arabic manuscript on vellum, 7 lines to the page writen in elongated kufic script in brown ink with vocal points represented by red, yellow and green dots, wide untrimmed outer margins.text area: 23.5 by 14.3 leaf: 36.5 by 27.1cm.Photography/ Text © Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/Ux44Kw4YcMc/illuminated-quran-leaf-in-kufic-script.html
AN OTTOMAN WOVEN SILK CALLIGRAPHIC TEXTILE, TURKEY, 18TH CENTURYthe dark red silk ground woven with cream silk thread, divided by horizontal chevrons into a series of alternating wide and narrow bands decorated with calligraphic inscriptions in vigorous .muhaqqaq., with cartouches flanked by two roundels on each side, mounted on board116.4 by 71.3cm.Photography/ Text © Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/alDBJYO_www/ottoman-woven-silk-calligraphic-textile.html
TWO OTTOMAN GILT-STAMPED LEATHER BINDINGS, TURKEY, MID-16TH AND 16TH/17TH CENTURY..The larger binding with gold block-stamped border and central scalloped medallion with dense foliate decoration, red doublures with corner panels and central medallion of fine gold filigree work on blue ground, outlined in gold; the smaller binding of a similar design, the gold stamped borders with some flowers in red.45.5 by 26.4cm. max. 25.3 by 17cm. max.Photography/ Text © Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/1miymXNtIcE/ottoman-gilt-stamped-leather-bindings.html
A CALLIGRAPHIC PANEL BY HAFIZ OTHMAN, TURKEY, DATED A.H. 1093/A.D. 1681 AND A DECORATIVE STUDY IN THE FORM OF A TUGHRA, TURKEY, 19TH CENTURYArabic manuscript (Hadith) on paper heightened with gold, 5 lines of text written in naskhi script in black ink on cream paper, two side panels decorated with gold flowers and use of blue, signed and dated in the left panel, scrolling floral borders ruled in gold; the larger with tughra design in gold on stout paper interspersed with blue leafy scrolling flowers.20.6 by 13.2cm; 35 by 27.7cm.Photography/ Text © Sotheby´sJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/qAtvq40iHRM/calligraphic-panel-by-hafiz-othman.html
Date: Jul 17, 2009Number of Photos in Album: 14View Album
http://picasaweb.google.com/yuecel.vedat/Wissel
AH 1355 (1936), 26.00 x 48.50 cm, dated1936SignedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/398906625/halim-zyazici-b1898-d1964.html
Moalla calligraphy is based on the calligrapher’s own subjective and imaginative interpretation of various calligraphic styles which influence the new style indirectly as visual models.Nevertheless, a calligraphic style is considered as such when it follows the traditional calligraphy and previous known principles governing the form, and letter and word format. Moalla style is also based on the same principles of calligraphy and respects the rules governing the traditional calligraphy. This explains why the new style (Moalla) shares clear similarities with other calligraphic styles. The graphic aspect of Moalla style does not divert it from the traditional course of calligraphy, rather it makes it possible for the other arts to use the new style in better ways.Characteristics of Moalla style:Using the entire potential of the calligraphic pen in writing (using all sides), which leads to increased clarity and conveys solidity. sudden and abrupt transfer of strength to weakness which creates extreme contrast in thickness. The possibility of creating complicated compositions in asymmetrical forms.Conveying more passion and rapture, as compared to other traditional styles, plus an epic spirit and excitement. The possibility of changing the proportions and sizes of the letters and ascending lines to fit for various compositions. Independence in terms of teaching and learning (there is no need to know other styles in order to learn Moalla) Possibility of use in Modern architectural spaces. Creating curves and changing the base of words in any given composition and/or line without effecting the proportion and base of the entire composition. (In other words, there is the possibility of writing in the reverse direction and/or changing the angles of letters within one or more words.) Other points relating to details are better understood in close verbal discussions. It is of course useless to compare Moalla style with other known calligraphic styles. Each calligraphic style needs to be studied in reference to its aims and goals. As a new movement strongly based on tradition, Moalla style does not claim superiority over other styles. It simply follows the same rules and can make contributions according to its own limitations and potentials.ProvenanceCollection of Hamid AjamiPhotography/ Text © Hamid AjamiJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/Iee5M_tA0pM/moalla-calligraphic-style.html
Moalla calligraphy is based on the calligrapher’s own subjective and imaginative interpretation of various calligraphic which influence the new indirectly as visual models.Nevertheless, a calligraphic is considered as such when it follows the traditional calligraphy and previous known principles governing the form, and letter and word format. Moalla is also based on the same principles of calligraphy and respects the rules governing the traditional calligraphy. This explains why the new (Moalla) shares clear similarities with other calligraphic The graphic aspect of Moalla does not divert it from the traditional course of calligraphy, rather it makes it possible for the other arts to use the new in better ways.Characteristics of Moalla />Using the entire potential of the calligraphic pen in writing (using all sides), which leads to increased clarity and conveys solidity. sudden and abrupt transfer of strength to weakness which creates extreme contrast in thickness. The possibility of creating complicated compositions in asymmetrical forms.Conveying more passion and rapture, as compared to other traditional plus an epic spirit and excitement. The possibility of changing the proportions and sizes of the letters and ascending lines to fit for various compositions. Independence in terms of teaching and learning (there is no need to know other in order to learn Moalla) Possibility of use in Modern architectural spaces. Creating curves and changing the base of words in any given composition and/or line without effecting the proportion and base of the entire composition. (In other words, there is the possibility of writing in the reverse direction and/or changing the angles of letters within one or more words.) Other points relating to details are better understood in close verbal discussions. It is of course useless to compare Moalla with other known calligraphic Each calligraphic needs to be studied in reference to its aims and goals. As a new movement strongly based on tradition, Moalla does not claim superiority over other It simply follows the same rules and can make contributions according to its own limitations and potentials.ProvenanceCollection of Hamid AjamiPhotography/ Text © Hamid AjamiJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/367122612/moalla-calligraphic-style.html
Moalla calligraphy is based on the calligrapher’s own subjective and imaginative interpretation of various calligraphic styles which influence the new style indirectly as visual models.Nevertheless, a calligraphic style is considered as such when it follows the traditional calligraphy and previous known principles governing the form, and letter and word format. Moalla style is also based on the same principles of calligraphy and respects the rules governing the traditional calligraphy. This explains why the new style (Moalla) shares clear similarities with other calligraphic styles. The graphic aspect of Moalla style does not divert it from the traditional course of calligraphy, rather it makes it possible for the other arts to use the new style in better ways.Characteristics of Moalla style:Using the entire potential of the calligraphic pen in writing (using all sides), which leads to increased clarity and conveys solidity. sudden and abrupt transfer of strength to weakness which creates extreme contrast in thickness. The possibility of creating complicated compositions in asymmetrical forms.Conveying more passion and rapture, as compared to other traditional styles, plus an epic spirit and excitement. The possibility of changing the proportions and sizes of the letters and ascending lines to fit for various compositions. Independence in terms of teaching and learning (there is no need to know other styles in order to learn Moalla) Possibility of use in Modern architectural spaces. Creating curves and changing the base of words in any given composition and/or line without effecting the proportion and base of the entire composition. (In other words, there is the possibility of writing in the reverse direction and/or changing the angles of letters within one or more words.) Other points relating to details are better understood in close verbal discussions. It is of course useless to compare Moalla style with other known calligraphic styles. Each calligraphic style needs to be studied in reference to its aims and goals. As a new movement strongly based on tradition, Moalla style does not claim superiority over other styles. It simply follows the same rules and can make contributions according to its own limitations and potentials.ProvenanceCollection of Hamid AjamiPhotography/ Text © Hamid AjamiJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/moalla-calligraphic-style.html
panel, dated AH 1290 (1873), 35.00 x 29.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/circirli-ali-b-d1906_12.html
panel, dated AH 1290 (1873), 35.00 x 29.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363177163/circirli-ali-b-d1906_12.html
panel, dated AH 1346 (1927), 18.00 x 34.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/OSwsiCzi2Pw/macit-ayral-b1891-d1961.html
panel, dated AH 1346 (1927), 18.00 x 34.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/macit-ayral-b1891-d1961.html
panel, dated AH 1346 (1927), 18.00 x 34.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363177164/macit-ayral-b1891-d1961.html
panel, AH 1350 (1931), 26.00 x 60.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363156647/hulusi-yazgan-b-1869-d1940.html
panel, AH 1350 (1931), 26.00 x 60.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/1bp4OE02Sgw/hulusi-yazgan-b-1869-d1940.html
panel, AH 1350 (1931), 26.00 x 60.00 cm, signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/hulusi-yazgan-b-1869-d1940.html
panel, dated, AH 1303 (1885), 43.00 x 87.00 cm.SignedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/muhsinzade-abdullah-b1832-d1894.html
panel, dated, AH 1303 (1885), 43.00 x 87.00 cm.SignedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363156648/muhsinzade-abdullah-b1832-d1894.html
panel, dated AH 1351 (1932), 59.00 x 54.00 cm.signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136178/ismail-hakki-altunbezer-b-1873-d1946.html
panel, dated AH 1351 (1932), 59.00 x 54.00 cm.signedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/CFHSOK_Ckbw/ismail-hakki-altunbezer-b-1873-d1946.html
panel, dated AH 1303 (1885), 62.00 x 59.00 cm.signed ArifProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/bcF0qxvJHKE/bakkal-arif-b-1830-d1909.html
panel, dated AH 1303 (1885), 62.00 x 59.00 cm.signed ArifProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/bakkal-arif-b-1830-d1909.html
panel, dated AH 1303 (1885), 62.00 x 59.00 cm.signed ArifProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136179/bakkal-arif-b-1830-d1909.html
35.00 x 32.00 cm, dated AH 1281 (1864) signed AliProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136180/circirli-ali-b-d1906.html
page of hadith [prophetic saying] written in thuluth and nasih, 16.5x23.5cm, undated, unsigned, attributed to Seyh HamdullahProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür Evi Antik A.S.JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136181/seyh-hamdullah-b1436-d1520.html
page of hadith [prophetic saying] written in thuluth and nasih, 16.5x23.5cm, undated, unsigned, attributed to Seyh HamdullahProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür Evi Antik A.S.JOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/hvPxERAtiK4/seyh-hamdullah-b1436-d1520.html
panel, 19.5x19.5cm, dated AH 1174 (1760), signed Ibrahim AfifProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/ibrahim-afif-b-d1767.html
panel, 19.5x19.5cm, dated AH 1174 (1760), signed Ibrahim AfifProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136182/ibrahim-afif-b-d1767.html
panel of poem, written in thuluth script, 23x25cm, undated, signed Ismail ZühdiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/363136183/ismail-zhdi-b-d1806.html
panel of poem, written in thuluth script, 23x25cm, undated, signed Ismail ZühdiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/08/ismail-zhdi-b-d1806.html
page, 23.00 x 33.00 cm, dated AH 1268 (1851) , signed Halil SükrüProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934798/halil-skr-b-d1851_30.html
page, 13.00 x 18.00 cm, undated, signed Mustafa KütahiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934799/mustafa-ktahi-b1787-d_30.html
page, 13.00 x 18.00 cm, undated, signed Mustafa KütahiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/07/mustafa-ktahi-b1787-d_30.html
page, 17.00 x 27.50 cm, dated AH 1193 (1779) , sigend Ismail Zühdi .ProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/_kuFYCSJBnA/ismail-zhdi-b-d1806_30.html
page, 17.00 x 27.50 cm, dated AH 1193 (1779) , sigend Ismail Zühdi .ProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934800/ismail-zhdi-b-d1806_30.html
page, 22.00 x 35.00 cm, signed Mehmed SefikProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934801/mehmed-sefik-b1819-d1879_30.html
page, 16.50 x 28.00 cm, undated, signed Sekerzade MehmedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934802/sekerzade-mehmed-b-d1752_30.html
page, 16.50 x 28.00 cm, undated, signed Sekerzade MehmedProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/7n4eLfENUUU/sekerzade-mehmed-b-d1752_30.html
page, 20.00 x 36.00 cm, dated AH 1348 (1929), signed Kamil AkdikProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/07/kamil-akdik-b-1861-d1941.html
page, 20.00 x 36.00 cm, dated AH 1348 (1929), signed Kamil AkdikProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/AC__bv7k1uE/kamil-akdik-b-1861-d1941.html
page, 20.00 x 36.00 cm, dated AH 1348 (1929), signed Kamil AkdikProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934803/kamil-akdik-b-1861-d1941.html
page, 17.00 x 26.00 cm, dated AH 1260 (1844)Signed Hakkazade Mustaf HilmiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934804/hakkazade-mustafa-hilmi-b-d-1851.html
page, 17.00 x 26.00 cm, dated AH 1260 (1844)Signed Hakkazade Mustaf HilmiProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://jottoc.blogspot.com/2008/07/hakkazade-mustafa-hilmi-b-d-1851.html
page, 13.00 x 20.00 cm, undated, signed Hafiz IbrahimProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly identified and acknowledged on this website so that we may make any necessary corrections.
http://feedproxy.google.com/~r/JournalOfOttomanCalligraphy/~3/Dvwx_t7RjkQ/hafiz-ibrahim-b-d-probably-18th-century.html
page, 13.00 x 20.00 cm, undated, signed Hafiz IbrahimProvenanceFormerly in the Sevket Rado CollectionSold Spring 2008 at auction in IstanbulLiterature and ReferencesRado, S. (1983). Türk Hattatlari: XV. yüzyildan günümüze kadar gelmis ünlü hattatlarin hayatlari ve yazilarindan örnekler. Istanbul: Yayin Matbaacilik Ticaret.Photography/ Text © Portakal Sanat ve Kültür EviJOC provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemption. JOC has made every reasonable effort to locate and acknowledge copyright owners and wishes to be informed by any copyright owners who are not properly and acknowledged on this website so that we may make any necessary corrections.
http://feeds.feedburner.com/~r/JournalOfOttomanCalligraphy/~3/350934805/hafiz-ibrahim-b-d-probably-18th-century.html
Update Sources