Recent Event Highlights: Mad Men Name-Checks Ada Louise Huxtable, Charlie Rose - Michael Caine, Charlie Rose - Ada Louise Huxtable, and 8 more...
Created by dipity on Apr 2, 2009
Last updated: 06/21/10 at 09:30 AM
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I read Ada Louise Huxtable's "A Golden Age and Its Heirs" with joy (Leisure & Arts, May 25). Andrea Palladio's work is a life interest. A large quantity of his architecture survives for the seeking. My husband and I sought out his well-known and lesser-
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Wall Street Journal
http://online.wsj.com/article/SB10001424052748704717004575268274130762194.html?mod=WSJ_topics_obama
Women on the WebLiz Smith: Thumbs-Up to Michael Douglas and Catherine Zeta-JonesWomen on the Webis the way Ada Louise Huxtable once criticized an event. Here's another: I have been to so many of the Film Society of Lincoln Center "Charlie Chaplin" ...and more »
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A Golden Age and Its HeirsWall Street JournalThe most universally admired, widely emulated, eternally influential and consistently bowdlerized and degraded of all architects is ...Palladio & His Legacy, at the Morgan Library & Museum | By Ada Louise HuxtableWall Street Journalall 2 news articles »
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New York Times (blog)Answers About the Legacy of Robert MosesNew York Times (blog)If that were the case, urban and architecture critics like Lewis Mumford, Ada Louise Huxtable, Paul Goldberger and, indeed, me (although I did build a ...and more »
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With choreographers Linda K. Johnson, Cydney Wilkes, Linda Austin, and Tere Mathern and writer Randy Gragg. In 1971, Portland christened a new urban park that The New York Times architectural critic Ada Louise Huxtable heralded as the most important urban space since the Renaissance. Called Forecourt Fountain (later renamed Ira Keller Fountain), it was part of a sequence of Portland plazas that combined water, sculptural form, and public space in ways never before attempted in a city. Yet the plazas were merely one outgrowth of the daring experiments in movement, sound, and space being conducted by landscape architect Lawrence Halprin; his wife, the legendary choreographer Anna Halprin; and radical musical composers such as Terry Riley, Pauline Oliveros, Lamont Young, and Morton Subotnick. Third Angle New Music Ensemble, the Northwests premier presenter of contemporary music, along with some of Portlands most accomplished choreographers, will celebrate the plazas and the artistic milieu from which they emerged. Third Angle will play some of the Minimalist music pioneered by the composers in the Halprins circle as the choreographers explore Anna Halprins philosophy and her intense blend of movement with social and personal consciousness often cited as the beginning of postmodernism in dance. We were trying to invent new languages of dance, music, and architecture, Lawrence Halprin recalls of the time. So, too, will City Dance attempt a new kind of celebration of ...
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...the new Madison Square Garden. ... After one of the agency execs reads from a Huxtable piece condemning the plans, one of the developers gives him a sour look. 'Ada Louise Huxtable is as green as that folder,' he retorts...." Los Angeles Times 08/24/09...
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ArtsJournal
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http://www.artsjournal.com/artsjournal1/2009/08/mad_men_nameche.shtml
MUSIC BY EL INTRUSO - EL RASTRO MADRID - NUNCA FUE TAN HERMOSA LA BASURA - JOSÉ LUIS PARDO (12) DE ESTA MANERA SE HA CONSEGUIDO A LA VEZ MANTENER LA SITUACIÓN MODERNA (A SABER, LA "INMENSA ACUMULACIÓN DE BASURAS") Y REEDITAR LA UTOPÍA NO MENOS MODERNA DE UN MUNDO SIN BASURAS, QUE AHORA HA DE ENTENDERSE COMO UN MUNDO EN PERMANENTE RECICLAJE Y SIN PÉRDIDAS (TAL ES LA COSMOVISIÓN DEL PARADIGMA-BASURA O PARADIGMA DE LA BASURA) Y, POR LO TANTO, DE UN MUNDO EN EL CUAL TODO (Y TODOS) LLEGA INMEDIATAMENTE A SU DESTINO Y ADQUIERE INMEDIATAMENTE UNO NUEVO. NO SE PUEDE DECIR DE MANERA MÁS CLARA: ALLÍ DONDE NADA ES BASURA, TODO LO ES. Y ES EL MISMO MARC AUGÉ QUIEN SE HA DADO CUENTA DE QUE, DE SEGUIR ASÍ LAS COSAS, NUESTRA CIVILIZACIÓN SERÁ LA PRIMERA DEL MUNDO QUE NO DEJE TRAS DE SÍ ESA CLASE ESPECIAL DE BASURA HISTÓRICA QUE SON LAS RUINAS. LA CIUDAD GENÉRICA (LA CIUDAD-BASURA) NO DEJA RUINAS PORQUE, CUANDO UN EDIFICIO ENTRA EN ESTADO DE OBSOLESCENCIA, SE PUEDE RECONFIGURAR ENTERAMENTE PARA UN NUEVO USO, DEL MISMO MODO QUE UNA EMPRESA (SI QUIERE SER UNA GENUINA EMPRESA-BASURA) DEBE PODER SOMETERSE EN CUALQUIER MOMENTO A UN PROCESO DE RE-ENGINEERING Y QUE LA MANO DE OBRA (O SEA, LA CLASE-BASURA) DEBE PERMANECER EN UN ESTADO DE LONGLIFE EDUCATION. RICHARD SENNETT LO HA EXPLICADO AÚN MEJOR: «LA ESTANDARIZACIÓN DEL ENTORNO DERIVA DE LA ECONOMÍA DE LO EFÍMERO, Y LA ESTANDARIZACIÓN PRODUCE INDIFERENCIA. QUIZÁ PUEDA ACLARAR ESTA TESIS MEDIANTE UNA EXPERIENCIA PERSONAL. HACE UNOS POCOS AÑOS ...
Actor Michael Caine
Architecture critic Ada Louise Huxtable
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...on Seventh Avenue, now part of St. Vincent's Manhattan Hospital -- had attracted modest praise from the critic Ada Louise Huxtable in The New York Times when it was completed in 1964. But Ledner was well aware of the disdain with which it and his other...
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San Francisco Chronicle
http://feeds.sfgate.com/~r/sfgate/rss/feeds/homeandgarden/~3/73372519/article.cgi
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... Former Oakland Tribune architecture critic Diana Ketcham read a tribute from one of Temko's few peers: Ada Louise Huxtable, who became the New York Times' architecture critic shortly before Mr. Temko assumed his Chronicle post. "Allan...
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San Francisco Chronicle
http://feeds.sfgate.com/sfgate/rss/feeds/jking?m=9
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