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Created by dipity on Jun 8, 2010
Last updated: 09/17/10 at 03:13 AM
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(Score available for free on jeremyliu.com ) My arrangement for string quartet of the third movement of Mozart's piano sonata no. 9 (KV 310).
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 28 2. Allegro grazioso Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 28 1. Allegro maestoso Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in G major, KV 27 2. Allegro Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we find ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in G major, KV 27 1. Andante poco adagio Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in Eb major, KV 26 3. Rondo (Allegro) Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in Eb major, KV 26 1. Allegro molto Harpsichord: Blandine Verlet Violin: Gérard Poulet Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26-31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, the Prince of Orange. They were published as Mozart's Op. 4. These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we ...
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Piano Duet (piano four-hands) in C major, KV 19d 3. Rondo Primo: Ingrid Haebler Secondo: Ludwig Hoffman This sonata was composed by the the 9-year old Wolfgang Amadeus Mozart during the Mozart family's Grand Tour of Europe. It was probably first performed by Mozart in Hickford's Great Room, Brewer Street, accompanied by his sister Maria Anna Mozart on 13 May 1765. It is, as most (if not all) of his early works, heavily influenced by his father Leopold Mozart and other composers who were close to Mozart, eg Johann Christian Bach. His father's harsh demands are clearly portrayed in this early work, but despite this, Mozart's independence was still in a vague stage of development. Composed in May 1765, in London.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Piano Duet (piano four-hands) in C major, KV 19d 1. Allegro Primo: Ingrid Haebler Secondo: Ludwig Hoffman This sonata was composed by the the 9-year old Wolfgang Amadeus Mozart during the Mozart family's Grand Tour of Europe. It was probably first performed by Mozart in Hickford's Great Room, Brewer Street, accompanied by his sister Maria Anna Mozart on 13 May 1765. It is, as most (if not all) of his early works, heavily influenced by his father Leopold Mozart and other composers who were close to Mozart, eg Johann Christian Bach. His father's harsh demands are clearly portrayed in this early work, but despite this, Mozart's independence was still in a vague stage of development. Composed in May 1765, in London.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Piano Duo (piano four-hands) in C major, KV 19d 1. Allegro Primo: Ingrid Haebler Secondo: Ludwig Hoffman This sonata was composed by the the 9-year old Wolfgang Amadeus Mozart during the Mozart family's Grand Tour of Europe. It was probably first performed by Mozart in Hickford's Great Room, Brewer Street, accompanied by his sister Maria Anna Mozart on 13 May 1765. It is, as most (if not all) of his early works, heavily influenced by his father Leopold Mozart and other composers who were close to Mozart, eg Johann Christian Bach. His father's harsh demands are clearly portrayed in this early work, but despite this, Mozart's independence was still in a vague stage of development. Composed in May 1765, in London.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in G major, KV 9 3. Menuet I & Menuet II Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed after K. 8, in December 1763 / January 1764, and published January 1764 in Paris as Op. 2, No. 2. Mozart reused a melody from minuet in the slow movement of the unnumbered Symphony in D, K. 95/73n These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in G major, KV 9 2. Andante Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed after K. 8, in December 1763 / January 1764, and published January 1764 in Paris as Op. 2, No. 2. Mozart reused a melody from minuet in the slow movement of the unnumbered Symphony in D, K. 95/73n These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in G major, KV 9 1. Allegro Spritoso Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed after K. 8, in December 1763 / January 1764, and published January 1764 in Paris as Op. 2, No. 2. Mozart reused a melody from minuet in the slow movement of the unnumbered Symphony in D, K. 95/73n These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in B flat major, KV 8 3. Menuet I & Menuet II Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed November 21st, 1763 and published in January 1764 in Paris as Op. 2, No. 1. A solo-keyboard version of the first movement appears in Nannerl Notenbuch as "Allegro in B flat". Dedicated to Madame la Dauphine's lady-in-await. These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in B flat major, KV 8 2. Andante grazioso Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed November 21st, 1763 and published in January 1764 in Paris as Op. 2, No. 1. A solo-keyboard version of the first movement appears in Nannerl Notenbuch as "Allegro in B flat". Dedicated to Madame la Dauphine's lady-in-await. These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in B flat major, KV 8 1. Allegro Harpsichord: Blandine Verlet Violin: Gérard Poulet Composed November 21st, 1763 and published in January 1764 in Paris as Op. 2, No. 1. A solo-keyboard version of the first movement appears in Nannerl Notenbuch as "Allegro in B flat". Dedicated to Madame la Dauphine's lady-in-await. These first 4 sonatas (K.6 - K.9) are greatly influenced by Johann Shobert, a composer of the time. Sonatas K.7 and K.9 are the most influenced by his spirit. As Hermann Abert wrote, "not all of Shobert's works are at the same level, and despite his genius, he failed to achieve a true distillation of his talents. But what Mozart saw in him was enough to draw him completely under his spell [...] In spite of all these borrowings, these sonatas clearly reveal Mozart's own hand. The first movement of the sonata in D (K.7), for example, has no fewer than five subjects, instead of the usual three [...]". Abert's biography is one of the best ones we can find, it's full of details and interesting facts, as well as a very complete biography and analysis of his life and his music.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 6 4. Allegro molto Harpsichord: Blandine Verlet Violin: Gérard Poulet This composition is one of Mozart's earliest works. It is the first composition in the sonata form and that uses more that one instrument. It was probably composed in Salzburg or Paris when mozart was 6 or 8 (1762 | 1764), although there is evidence that it may have been written by his father, Leopold. It was published in February 1764, as Mozart's Opus 1, together with sonata in D major KV 7 (Opus 2 includes KV 8 and KV 9). There are also versions of the first three movements of this sonata for solo Keyboard. In fact, Mozart's early sonatas were published as "Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon", which means "Sonatas for the Harpsichord which may be played with violin accompaniment". It is quite legitimate to play them on a Harpsichord or a Fortepiano, because it was composed to be performed with any of both instruments.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 6 3. Menuet I & Menuet II Harpsichord: Blandine Verlet Violin: Gérard Poulet This composition is one of Mozart's earliest works. It is the first composition in the sonata form and that uses more that one instrument. It was probably composed in Salzburg or Paris when mozart was 6 or 8 (1762 | 1764), although there is evidence that it may have been written by his father, Leopold. It was published in February 1764, as Mozart's Opus 1, together with sonata in D major KV 7 (Opus 2 includes KV 8 and KV 9). There are also versions of the first three movements of this sonata for solo Keyboard. In fact, Mozart's early sonatas were published as "Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon", which means "Sonatas for the Harpsichord which may be played with violin accompaniment". It is quite legitimate to play them on a Harpsichord or a Fortepiano, because it was composed to be performed with any of both instruments.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 6 2. Andante Harpsichord: Blandine Verlet Violin: Gérard Poulet This composition is one of Mozart's earliest works. It is the first composition in the sonata form and that uses more that one instrument. It was probably composed in Salzburg or Paris when mozart was 6 or 8 (1762 | 1764), although there is evidence that it may have been written by his father, Leopold. It was published in February 1764, as Mozart's Opus 1, together with sonata in D major KV 7 (Opus 2 includes KV 8 and KV 9). There are also versions of the first three movements of this sonata for solo Keyboard. In fact, Mozart's early sonatas were published as "Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon", which means "Sonatas for the Harpsichord which may be played with violin accompaniment". It is quite legitimate to play them on a Harpsichord or a Fortepiano, because it was composed to be performed with any of both instruments.
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard and Violin in C major, KV 6 1. Allegro Harpsichord: Blandine Verlet Violin: Gérard Poulet This composition is one of Mozart's earliest works. It is the first composition in the sonata form and that uses more that one instrument. It was probably composed in Salzburg or Paris when mozart was 6 or 8 (1762 | 1764), although there is evidence that it may have been written by his father, Leopold. It was published in February 1764, as Mozart's Opus 1, together with sonata in D major KV 7 (Opus 2 includes KV 8 and KV 9). There are also versions of the first three movements of this sonata for solo Keyboard. In fact, Mozart's early sonatas were published as "Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon", which means "Sonatas for the Harpsichord which may be played with violin accompaniment". It is quite legitimate to play them on a Harpsichord or a Fortepiano, because it was composed to be performed with any of both instruments.
The Sun Wind Quintet from Cork, Ireland in a performance of WA Mozart (1756-1791) Allegro and Andante grazioso (ie first and second movements) of Divertimento Nr. 9. (KV 240).
The Sun Wind Quintet from Cork, Ireland in a performance of WA Mozart (1756-1791) Minuet and Allegro (ie third and fourth movements) of Divertimento Nr. 9. (KV 240).
12-years old Marina Izumi (violin) performs with Irina Vinogradova (piano) Mozart Sonata KV 304 at Zakhar Bron Abschlusskonzert Meisterklasse 9 April 2009, Swiss, Interlaken, Kirche Unternseen.
12-years old Marina Izumi (violin) performs with Irina Vinogradova (piano) Mozart Sonata KV 304 at Zakhar Bron Abschlusskonzert Meisterklasse 9 April 2009, Swiss, Interlaken, Kirche Unternseen.
Wolfgang Amadeus Mozart (1756-1791) Piano Sonata No. 9 in A Minor KV 310 I. Allegro maestoso Martin Stadtfeld, piano Recorded 2005
Fooling around with pretty paggios is no good with a jealous husband around. There he is, knocking on the door. Il Conte - Alfred Poell La Contessa - Lisa Della Casa Susanna - Hilde Gueden Erich Kleiber Wiener Philharmoniker 1955
Add to URL: &fmt=18 (better sound quality) Stanislav Zamborsky - Piano Slovak Chamber Orchestra Bohdan Warchal
Add to URL: &fmt=18 (better sound quality) Stanislav Zamborsky - Piano Slovak Chamber Orchestra Bohdan Warchal
Add to URL: &fmt=18 (better sound quality) Stanislav Zamborsky - Piano Slovak Chamber Orchestra Bohdan Warchal
Dan, age 9, performs the first movement of Mozart Sonata KV 309.
Requiem de Mozart KV 626 En re D Menor Dirigido por Leonard bernstein, Sequencia: lacrymosa, Part. 9 I. Introitus II. Kyrie III. Sequencia. 1. Dies irae 2. Tuba mirum 3. Rex tremnde 4. Recordare 5. Confutatis 6. Lacrimosa IV. Offertory. 1. Domine Jesu 2. Hostias V. Sanctus. VI. Benedictus. VII. Agnus dei. VIII. Comunion. Orquesta: Sinfonica de la radio de Berevese Director: Leonard bernstein Solistas Soprano: Marie Mclaughlin Mezzosoprano: Maria Ewing Tenor: Jerry Haudly Bajo: Cornelius Hauptmann
Lang Lang plays Mozart Sonata KV 333 BBC Proms 2008 First movement Prom 60
Maria Cebotari sings Mozart's Concert Aria KV 416 (The high soprano aria "Mia speranza adorata" without the recitative, starting at the aria proper "Ah non sai, qual pena sia") in german "Entflohen ist die letzte Hoffnung" Maria Cebotari (Cebotaru) (10 February 1910, Chişinău - 9 June 1949, Vienna) was a Bessarabian born - Austrian soprano and actress of Romanian origin: en.wikipedia.org en.wikipedia.org Frankfurter Funkorchester Conductor: Hans Rosbaud 2 February 1936 Maria Cebotari se vit conférer le plus important titre honorifique existant à l'époque en Allemagne et en Autriche - Kammersängerin. A part cela, ses mérites exceptionnels furent appréciés par la haute distinction "Coroana României" (« La couronne de la Roumanie »): www.moldavie.fr She sang at many opera houses including Berlin State Opera, Vienna State Opera, La Scala Opera House of Milan, Covent Garden, Dresden Semper Opera House. Most of her survived recordings are live and they show her extremely versatile voice. Austrian record label Preiser has issued the recordings "The Art of Maria Cebotari".
Sergei Yerokhin plays Mozart, Concerto No.9 KV.271 (3ºmvto)
Sergei Yerokhin plays Mozart, Concerto No.9 KV.271 (2ºmvto).
Sergei Yerokhin plays Mozart, Concerto No.9 KV.271 (1ºmvto).
The songs are added in chronological order, as they are classified by the Köchel catalogue. 1. Symphony No. 25 in G minor, KV 183 - 1. Allegro con brio 2. Violin Concerto No. 1 in B flat major KV 207 - 1 Allegro Moderato 3. Violin Concerto No. 3 in G major KV 216 - 3 Rondeau 4. Piano Concerto No. 9 in E flat major, KV 271 'Jeunehomme' 1. Allegro 5. Symphonie Nr. 31 D-Dur KV 297 Pariser Symphonie - Allegro 6. Concerto for Flute, Harp & Orchestra in C major KV 299 - 2 Andantino 7. Piano Sonata No. 11 in A Major KV 331- III. Alla Turca, allegretto 8. Serenade for 13 Wind Instruments in B flat major KV 361, Gran Partita - Adagio 9. Sinfonia Concertante for Violin, Viola & Orchestra in E flat major K364; Allegro 10. Concerto in E-flat for Two Pianos, No. 10, KV 365 11. Die Entfuehrung aus dem Serail, K.384, I.6.1. Singt dem grossen Bassa Lieder [No.5 - Coro] 12. Horn Concerto in D major KV 412 - Rondo, allegro 13. Symphonie Nr. 36 C-Dur KV 425 Linzer Symphonie - Adagio Allegro Con Spirito 14. Great Mass in C minor KV 427 - Kyrie 15. Piano Concerto No. 15 in B flat major, KV 450 3. Allegro assai 16. Piano Concerto No. 20 in D minor, KV 466 1. Allegro 17. Piano Concerto No. 20 in D minor, KV 466 3. Allegro assai 18. Piano concerto No 21 in C major KV 467 Elvira Madigan 2- Andante 19. Piano Concerto No. 22 in E flat major, KV 482 3. Allegro 20. Le nozze di Figaro, K.492 - Overture [Presto, Andante con moto]
Alexej Pevzner - violin Joop Albracht - piano
Alexej Pevzner - violin Joop Albracht - piano Amsterdam, juni 2008
Mozart, SymphonY n°40 KV 550 G minor Dionysios Dervis-Bournias ORCHESTRE COLONNE, Hommage Au Président Bill Clinton
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
Da concerto - Torino
KritKosol 9 year old from Thailand Can find my elder brother (KantKosol) in "kantmosq"
Mozart Great Mass in c minor kv. 427 9. Credo Chor und Symphonieorchester des Bayerischen Rundfunks Leonard Bernstein
Christian Zacharias, piano. Stuttgart Radio Symphony conducted by Gianluigi Gelmetti, on the stage of Schwetzingen Palace. Mozart's Concerto for Piano and Orchestra, No 8 in C major, K 246 "Lützow". composed April, 1776 a nice early work. Hard to believe Mozart composed this just nine months before that masterpiece, the "Jeunehomme" concerto, No. 9, KV. 271. However, the young lady for whom he wrote the K.246 for was not a virtuoso, to say the least.... I--Allegro aperto II--Andante III--Rondeau (Tempo di Minuetto)
Christian Zacharias, piano. Stuttgart Radio Symphony conducted by Gianluigi Gelmetti, on the stage of Schwetzingen Palace. Mozart's Concerto for Piano and Orchestra, No 8 in C major, K 246 "Lützow". composed April, 1776 a nice early work. Hard to believe Mozart composed this just nine months before that masterpiece, the "Jeunehomme" concerto, No. 9, KV. 271. However, the young lady for whom he wrote the K.246 for was not a virtuoso, to say the least.... I--Allegro aperto II--Andante III--Rondeau (Tempo di Minuetto)
Christian Zacharias, piano. Stuttgart Radio Symphony conducted by Gianluigi Gelmetti, on the stage of Schwetzingen Palace. Mozart's Concerto for Piano and Orchestra, No 8 in C major, K 246 "Lützow". composed April, 1776 a nice early work. Hard to believe Mozart composed this just nine months before that masterpiece, the "Jeunehomme" concerto, No. 9, KV. 271. However, the young lady for whom he wrote the K.246 for was not a virtuoso, to say the least.... I--Allegro aperto II--Andante III--Rondeau (Tempo di Minuetto)
Hoang Anh_Honzich 9 _year_ old playing IV.A.MOZART: Sonata KV 282:2v_ Menuetto I
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