Recent Event Highlights: Fábio Rabin Stand up Trip - Parte 1, Trevor Rabin Aftermath, Yitzhak Rabin: Warrior & Peacemaker, Fabio Rabin / Rubinho, Glory Road- Trevor Rabin, Mark Mancina & Trevor Rabin - Lear Crash (Con Air Score), and 31 more...
Created by dipity on Apr 17, 2010
Last updated: 09/16/10 at 10:53 PM
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Comediante Fábio Rabin no Programa do JÔ - ( Pt 1/5 ) - 17/12/09
Viagem de Fábio Rabin a Manaus para a realização de seu show solo de stand up comedy! Um documentário sobre o prisma de um comediante nos lugares mais inusitados do Brasil.
Trevor Rabin Aftermath. Main song in the movie Deep Blue Sea. Song is now used primarily in movie trailers. Enjoy www.megaupload.com Any request just post and don't forget to subscribe
Trecho do show de Fábio Rabin
The first feature length documentary about Israel's Prime Minister, murdered in 1995. His widow, Leah Rabin, tells of war and peace, duty and family, the life of her husband and the story of Israel. The film was shot on location in the Middle East and the United States, and includes unique archive material. It is an intimate portrait of an impressive leader, profiled by the people who knew him best, those who loved him and those who fought him, with exclusive appearances by Leah Rabin, Yasser Arafat, Shimon Peres, Henry Kissinger, Bill Clinton, General Uzi Narkis and many others.
Trecho do show de Fábio Rabin com o Comédia ao Vivo no teatro Renaissence toda sexta a meia noite!
"Glory Road" suite written by composer Trevor Rabin featuring Alicia Keys.
Con Air Score Track 4 - Lear Crash Music by: Mark Mancina & Trevor Rabin
Con Air Score Track 3 - Carson City Music by: Mark Mancina & Trevor Rabin
Con Air Score Track 1 - Con Air Theme Music by: Mark Mancina & Trevor Rabin
"Asteroid Chase - The Shuttle Crash", by Trevor Rabin, from the Armageddon soundtrack.
On 4 November 1995 Rabin was assassinated by Yigal Amir, a radical right-wing Orthodox Jew who opposed the signing of the Oslo Accords and believed he was saving the country from a dire fate. The shooting took place in the evening as Rabin was leaving a mass rally in Tel Aviv in support of the Oslo process. Rabin was rushed to the nearby Ichilov Hospital, where he died on the operating table of blood loss and a punctured lung.
www.thebarrychamishwebsite.com Barry Chamish's website This Video is from LatterdayConservative.com - www.latterdayconservative.com On July 15, 2006 Barry Chamish, author and journalist, spoke in Salt Lake City, Utah about the murder of Yitzhak Rabin, Prime Minister of Israel Who Murdered Yitzhak Rabin? Falsehoods are exposed and truth revealed in this tirelessly investigated exposé that proves beyond the shadow of a doubt the existance of a shocking treachery that has altered the face of human affairs. Read about an amateur film of the assassination, eyewitness testimony, documents that Rabin appeared unhurt from shots fired at the notorious peace rally; the same footage clearly shows a back door of Rabin's empty limousine slammed shut from inside before the Prime Minister was pushed into the vehicle. Who was waiting for him? What happened during the limousine's abnormally long detour en route to the hospital? Available to download, or purchase as a paperback, at www.lulu.com. Available in color or black and white. Color www.lulu.com Black and White: www.lulu.com
Michael Rabin-Violin Donald Voorhees-Conducter Bell Telephone Hour Orchestra Filmed: 11/25/60
The Paganini Moto Perpetuo on this disc was recorded in one take. The story goes that the engineer wanted to get sound levels. Rabin started the Paganini and immediately everyone realised it was something special and within a fraction of a second conductor orchestra and soloist were as one. It was decided to issue the take for its perfection and sheer driving pace. As one listens to it, it is indeed one of those great moments in the recording history of the violin - thank you Michael Rabin.
Michael Rabin an the Philharmonia Orchestra conducted by Sir Adrian Boult Recorded in 1957 Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the ...
Michael Rabin an the Philharmonia Orchestra conducted by Sir Adrian Boult Recorded in 1957 Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the ...
Michael Rabin and the Bell Telephone Houer Orchestra Conducted by Donald Voorhees Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia ...
Michael Rabin and the Bell Telephone Houer Orchestra Conducted by Donald Voorhees Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia ...
Michael Rabin and the Bell Telephone Houer Orchestra Conducted by Donald Voorhees Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia ...
Michael Rabin and the Bell Telephone Houer Orchestra Conducted by Donald Voorhees Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia ...
Perpetuum Mobile, for violin & orchestra Composed by Ottokar Novacek Performed by "Michael Rabin" and the Columbia Symphony Orchestra Conducted by Donald Voorhees Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the ...
Vn Concerto No.1 in F sharp minor, Op.14: I.Allegro moderato Michael Rabin and the London Philharmonia Conducted by Sir Adrian Boult Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his ...
Violin Concerto No. 2 in D minor, Op. 22 Composed by Henryk Wieniawski Performed by London Philharmonia Orchestra with Michael Rabin Conducted by Eugene Goossens Biography Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent. He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra. Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra. Rabin played in a Bel Canto style ...
Violin Concerto No. 2 in D minor, Op. 22 Composed by Henryk Wieniawski Performed by London Philharmonia Orchestra with Michael Rabin Conducted by Eugene Goossens Allegro con fuoco- Allegro moderato (a la Zingara) Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent. He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra. Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra ...
Violin Concerto No. 2 in D minor, Op. 22 Composed by Henryk Wieniawski Performed by London Philharmonia Orchestra with Michael Rabin Conducted by Eugene Goossens Romanze (Andante non troppo) Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent. He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra. Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra. Rabin played in a ...
Michael Rabin - Violin Leon Pommers - Piano Biography Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent. He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra. Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra. Rabin played in a Bel Canto style. During a recital in Carnegie Hall, he suddenly fell forward and momentarily lost his balance, and this was the beginning ...
La capricieuse -- morceau de genre, for violin & piano, Op. 17 Michael Rabin - Violin Leon Pommers - Piano Biography Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent. He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra. Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra. Rabin played in a Bel Canto style. During a recital in Carnegie Hall, he suddenly fell forward ...
Michael Rabin - The early years - Paganini Caprices Nr.1 01:43 Michael Rabin plays, Niccolo Paganini Caprice for solo violin in A minor (Agitato), Op. 1 No.5 Michael Rabin was one of the most superlative talents to emerge anywhere in the world. In 1950, at 14, he established himself as a genuine prodigy when he brilliantly recorded eleven Paganini caprices. A young man of extraordinary promise whose violinistic attributes were practically flawless, he possessed a powerful "fourth finger" that would make almost any violinist green with envy. All this was abetted by an instinctive suavity of phrasing and delivery recalling only the most supreme among his colleagues. Tenderness, charm, and a certain gentleness of character pervaded much of his playing, along with his tremendous virtuoso flair and daring. In his prime years his performance consistently exuded the aura of youth. It was the art of a phenomenal young violinist still en route to intellectual, spiritual, and cultural maturity. The premature demise of Michael Rabin was a tragic loss to the world of violin art, and we can best pay him tribute by continuing to listen to and revel in the splendor of his recorded heritage.
Michael Rabin plays, Niccolo Paganini Caprice for solo violin in E major (Andante), Op. 1 No.1 Michael Rabin was one of the most superlative talents to emerge anywhere in the world. In 1950, at 14, he established himself as a genuine prodigy when he brilliantly recorded eleven Paganini caprices. A young man of extraordinary promise whose violinistic attributes were practically flawless, he possessed a powerful "fourth finger" that would make almost any violinist green with envy. All this was abetted by an instinctive suavity of phrasing and delivery recalling only the most supreme among his colleagues. Tenderness, charm, and a certain gentleness of character pervaded much of his playing, along with his tremendous virtuoso flair and daring. In his prime years his performance consistently exuded the aura of youth. It was the art of a phenomenal young violinist still en route to intellectual, spiritual, and cultural maturity. The premature demise of Michael Rabin was a tragic loss to the world of violin art, and we can best pay him tribute by continuing to listen to and revel in the splendor of his recorded heritage.
Trecho da apresentação de Comédia Stand up de Fábio Rabin junto ao Clube de Comédia em Pé do Rio de Janeiro.
Great Humanitarians is a series of 26 30-second commercial wraparound vignettes, perfect for spot TV, radio, online, or classroom applications. For more information, please contact Mike Einstein via email at mike@brotherseinstein.com
Trevor Rabin`s Soundtrack for Armageddon
Great Score by Trevor Rabin for the great movie "Remember The Titans)
Trevor Rabin`s score from the movie "National Treasure" with nicolas cage. I don`t even know the movie^^but the music is just great
Union Tour - Live in Denver, CO May 9, 1991.
Trecho do stand up de Fábio Rabin no cinema do UCI com o grupo Clube de Comédia em pé do Rio de Janeiro. www.fabiorabin.com.br
American violinist Michael Rabin in one of the most wonderfull performances of Dinicu's Hora Staccato (arr. Heifetz) Hollywood Bowl Symphony Orchestra/ 1959 Conductor Felix Slatkin.
Michael Rabin in one of the most splendid performances of Pablo de Sarasate's well known showpiece. A jewel compared by many with Heifetz's one and by others considered as the best. Hollywood Bowl Orchestra /1959 Conductor Felix Slatkin
israelradio.lihi.co.il Twelve years after, new technology enables viewers to get a clear view of what transpired on Nov. 4th, 1995 The three bullets that changed history "On November 4th, 1995, the prime minister was murdered." This was the headline we awoke to, as if to a nightmare. The three bullets fired at the prime minister during the peace rally changed the face of Israel forever. Each of us harbors that moment within us, the moment we heard of the murder at the square. Twelve years on, the enhanced video now clearly shows the moments of the murder. It was 9:40 pm, and the security personnel accompanied the participants of the peace rally down the back stairs of the municipality building on the way to the prime minister's car. At first, Foreign Minister Shimon Peres descended the staircase waving to the crowd with a smile. The prime minister descended next, with an assured step. Suddenly out of the darkness the image appeared. The door of the prime minister's car had already been opened. Rabin approached the back seat; the first shot was sounded, then another and another. Yitzhak Rabin's last steps were captured by the lens of Ronny Kempler's camera. Now, thanks to new technology, for the first time viewers can see exactly what happened at the square on that night: The unbearable ease in which the prime minister was murdered from point-blank range.
NEW ALBUM CHAKRA-CROSSOVER OUT NOW! FOR INFO CHECK OUT-www.myspace.com/chakra007
my music video of my favorite film. There is no official soundtrack video, so i made one and it's really cool
Kreisler Caprice viennois and Tambourin Chinois
Michael Rabin television appearance at 15 years of age playing Kreisler Tambourin chinois
Mais de mim no www.fabiorabin.com.br
This is the 10 minute "Kempler video" that was shown one time on Israeli TV in December, 1995. When the Israeli government realized that the viewing of the video exposes the fraud of the assassination, the assassination video has never been seen again on Israeli TV. The assassination video was exposed to the public again on the internet by David on his various web sites. A translation and in depth explanation is at www.yigalamir.com
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