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Go back to Part 1: www.youtube.com This panel discussion on whether there should be a nudist colony in Singapore was broadcast on Channel News Asia on 18 Jan 11 at 8:30 pm. It was prompted by a series of high-profile incidents over the past few years in which people appeared naked in public in Singapore. Links: Nudism in Singapore: knol.google.com BlogTV programme trailer: www.facebook.com Behind-the-scenes footage: www.facebook.com Bloggers' comments: blogs.blogtv.sg
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Dil jalane ki baat kartay ho dil jalane ki baat kartay ho ashianae ki baat kartay ho dil jalane ki baat kartay ho Sari dunia kae raang o gaam dae kar sari dunia kae raang o gaam dae kar muskuranae ki baat kartay ho muskuranae ki baat kartay ho ashianae ki baat kartay ho Ham ko apni khabar nahin yaro tum zamanay ki baat kartay ho tum zamanay ki baat kartay ho dil jalane ki baat kartay ho Zikir mera sunna tu chir kae kaha zikir mera sunna tu chir kae kaha dil behlanay ki baat kartay ho kiss zamanay ki baat karta ho Dil jalane ki baat kartay ho ashianae ki baat kartay ho dil jalanae ki baat karta ho Reshma the folk singer of Pakistan is a big name in the Pakistani music scene. Reshma was born in Rajasthan India in 1947. Shortly after Pakistan gained independence, Reshma's family migrated to Pakistan. Her family belonged to a tribe of gypsies who reared camels and sold them. Reshma's talent was discovered by the Radio Pakistan, a couple of songs later Reshma became a household name. She touched the hearts of the people with her raw soul stirring vocals. Her voice was pure, deep and vibrant; truly the voice of the desert. People were not only fascinated by her voice but also her simple ways. She never received any formal training of music as a matter of fact she never received any education at all. Reshma had her own interesting style of remembering the lyrics. She was proud of her humble origins and the glitz of the glamor world did not mar her simplicity. Reshma had ...
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Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
Born as Vijayalakshimi into a poor family in Eluru (in Andhra Pradesh), she left school after the fourth standard, determined to become a film star. Her mother tongue is Telugu. Moving in with her aunt in Madras (then the centre of the South Indian film industry)[1], she soon found a sponsor who renamed her Smitha.[2] After garnering much notice and acclaim with her first major role, in the Tamil movie Vandi Chakkaram (The Wheel), in 1979, Smitha assumed the name "Silk," after her character's name in the movie. Silk Smitha went on to star in over 200 Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and her bold performances in films like Moondru Mugam have made her the ultimate symbol of sensuality in Tamil, Kannada. Malayalam and Telugu cinema. Her item numbers in films like Amaran were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[4] . The vast majority of her movies are softcore and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Even in the rare non-sexual roles, she impressed critics and audiences, such as her role of a wife hurt by her husband's infidelity in Alaigal Oivathillai (1981). One of her films, Layanam, has earned a cult status in the Indian adult film industry, and was remade as Reshma ki Jawani.[5] Her most respected film is Moondram Pirai, remade as Sadma....... In 1996, Smitha was found dead in her ...
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Lata Ji Speaks (2)... One of the first composers to give me songs was Shyam Sunderji. His Sun lo sajan dil ki baat (Lahore) was a big hit. Many new music directors came in. Shankar-Jaikishan ushered in a totally new era. I remember K Dutta who composed music when I was a 14- or 15-year-old child artiste. In Badi Maa, I acted and sang a song that he composed. I did some hit songs for [composer] RC Boral in Chaitanya Mahaprabhu. I didn't sing too many songs for him, but we shared a cordial relationship. My successful phase began in 1947. Shankar-Jaikishan grew as artistes alongside me. Laxmikant-Pyarelal, who also did a lot of their best work with me, were their successors. But the variety of work I did with Shankar-Jaikishan is unparalleled. I love my songs with them, like Jiya beqarar hai and Barsaat mein humse mile tum sajan from Barsaat; Awaara ae mere dil and Na chedo kal ke afsane in Raat Aur Din; Man mohana bade jhoothe in Seema; Sayonara and Mujhse tum mil gaye humdum from Love In Tokyo; Awaaz deke humein tum bulao in Professor and Ehsaan tera hoga mujhpar in Junglee. I remember Aji rooth kar ab kahan jayiyega in Arzoo. What a high pitch that was! My ears reddened when I sang it. But I stubbornly sang at that impossible scale, refusing to admit defeat to any range. I would get very angry, and sing at any range, without complaining. Composers would take full advantage of my silence, and keep raising the scale. I used to have arguments with Jaikishan. I would ask him ...
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