Recent Event Highlights: MPs debate Prevention and Suppression of Terrorism - DeHavilland (press release) (subscription), MPs debate DNA and CCTV (Crime Prevention) - DeHavilland (press release) (subscription), Carlos Seixas - Sonata nº 12, harpsichord, C major - 2/2 - Minuete - (Rui Paiva), Carlos Seixas - Sonata nº 12, harpsichord, C major - 1/2 - Allegro - (Rui Paiva), Carlos Seixas - Sonata nº 11, harpsichord, A major - 2/2 - Minuete - (Rui Paiva), Carlos Seixas - Sonata nº 11, harpsichord, A major - 1/2 - Allegro - (Rui Paiva), and 39 more...
Created by dipity on Sep 15, 2009
Last updated: 10/27/10 at 05:47 PM
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MPs debate Prevention and Suppression of TerrorismDeHavilland (press release) (subscription)The case for maintaining the 28-day limit had not been made, Chair of the Home Affairs Select Committee, Labour MP Keith Vaz declared. ...
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MPs debate DNA and CCTV (Crime Prevention)DeHavilland (press release) (subscription)Labour MP Keith Vaz, Chair of the Home Affairs Select Committee, recognised that the Government had proposed action in line with his Committee's ...and more »
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A song i composed using various vst instruments.
CULTO DE AÇÃO DE GRAÇAS PELO 59º ANIVERSÁRIO DE ORGANIZAÇÃO - GRUPO MAD E MORIÁ
Composer Guilherme Vaz Song and art piece at the Parkteatret Oslo Norway performing artists Susanne Fuhr voice , Sigurd Hole acoustic bass,and improvisers _ . Piece sponsored by the Sternesen Museum and Du-Store-Verden during the exhibition " Equatorial Rhytms " 2007 . The ideia is based in writer Marcel Mauss " An Essay on Gift " in which we read that all relations must beguin by a giftm a "sign " , a morphos , as a language of its own , the author studied this in special in the nordsk " Edda " , in which it is written from archaic times , and the lyrics are from this book _ the links in between america and the North are made by the " maracá " an instrument of the family of the " shakers " , with seeds .
This is our IGCSE music class performing a Chasing Cars cover at Sweet Nirvana, Hyderabad for a music project. Sorry about the bad sound quality; it was taken on Vysh's camera. The performance would have been a lot more interesting, but we were required to sit and play, and sadly enough, the stage acoustics, and overall quality of all the instruments except the keyboard was bad. Musicians: Vyshnavi Koppolu - Vocals Joel Vaz - Piano Seogki Hong - Guitar 1 Solveig Castelli - Guitar 2 Abhishek Veeraghanta (me) - Drums
CARLOS SEIXAS (1704-1742) Sonata nº 12, harpsichord, C major (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 12, harpsichord, C major (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 11, harpsichord, A major (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 11, harpsichord, A major (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 10, harpsichord, D major (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 10, harpsichord, D major (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 9, harpsichord, E major (3/3) 3 - Allegro assai (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the ...
CARLOS SEIXAS (1704-1742) Sonata nº 9, harpsichord, E major (2/3) 2 - Adagio (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 9, harpsichord, E major (1/3) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 8, harpsichord, F major (2/2) 2 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 8, harpsichord, F major (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 7, harpsichord, E minor (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 7, harpsichord, E minor (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 6, harpsichord, D minor (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 6, harpsichord, D minor (1/2) 1 - Moderato (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 5, harpsichord, C minor (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 5, harpsichord, C minor (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº 4, harpsichord, B flat major (3/3) 3 - Giga: Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the ...
CARLOS SEIXAS (1704-1742) Sonata nº 4, harpsichord, B flat major (2/3) 2 - Adagio (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company ...
CARLOS SEIXAS (1704-1742) Sonata nº 4, harpsichord, B flat major (1/3) 1 - Moderato (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the ...
CARLOS SEIXAS (1704-1742) Sonata nº 3, harpsichord, G major (2/2) 2 - Allegretto (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company ...
CARLOS SEIXAS (1704-1742) Sonata nº 3, harpsichord, G major (1/2) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº2, harpsichord, G major (3/3) 3 - Allegro assai (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the ...
CARLOS SEIXAS (1704-1742) Sonata nº2, harpsichord, G major (2/3) 2 - Adagio (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº2, harpsichord, G major (1/3) 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº1, harpsichord, G minor (2/2) 2 - Minuete (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704-1742) Sonata nº1, harpsichord, G minor 1 - Allegro (Rui Paiva) Harpsichord Built by Joaquim José Antunes, 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes, and was baptized on the 10 July of the same year. He was appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 79 for Harpsichord in B flat major Allegro - Minuet Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de Araújo. He had ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 71 for Harpsichord in A minor Without tempo indication - Minuet I - Minuet II Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 57 for Harpsichord in A major Allegro - Adagio - Allegro Assai Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 46 for Harpsichord in G major (1/1) Without tempo indication Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de Araújo ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 47 for Harpsichord in G major (1/1) Without tempo indication Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de Araújo ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 42 for Harpsichord in F minor Allegro - Minuet Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de Araújo. He had a ...
CARLOS SEIXAS (1704 - 1742) Sonata nº 16 for Harpsichord in C minor Without tempo indication (1/1) Ketil Haugsand (harpsichord) Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the Patriarchal Church. On 30 June 1733 he was appointed to the rank of Captain in the Company of Ordinances of the Palace. Carlos Seixas died in Lisbon on 25 August 1742 at his home behind the Church of Saint Anthony and was buried in the charnel-house of the Irmandade do Santíssimo Sacramento (Brotherhood of the Most Sacred Sacrament) of Basilical of Saint Mary (the present Cathedral). Unlike his contemporaries Francisco António de Almeida (1702-?), António Teixeira (1707-?) and João Rodrigues Esteves (fl.1719-1751), who studied at Rome as scholars of the Crown between 1716 or 1717 and 1728, Carlos Seixas seems never to have left Portugal and must have been trained in the school of his father, heir to the 17th-century Iberian organ tradition, familiar from the tentos of Rodrigues Coelho and Correa de Arauxo, of Cabanilles, Aguilera de Herdedia and Pedro de Araújo ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
SEIXAS, Carlos (1704-1742) Concerto in A major & Sonatas for Harpsichord José Luis González Uriol (harpsichord) Date & Local Coimbra, Palácio de S. Marcos; 4-6 / May / 2001 Harpsichord Built by Joaquim José Antunes in 1758 The Harpsichord Antunes Built in Lisbon, its a typical instrument of Portuguese construction from the 18th century, with a single keyboard, two independent 8 foot registers sound board in pine, quite short key levers, the box also in pine with the interiors sides vencered with Brazilian wood and strung entirely in brass. These mechanical and acoustic characteristics, allow a light and detailed playing and result in a ample and warm sound, with subtly distinguishable timbral qualities in the low middle and high registers of the keyboard (53 notes, from C to e). The instrument is particularly appropriate for Seixas keyboard writing, usually with transparent textures, rarely in more than two parts, frequently contrasting melody and simple accompanying material. Short Biography José António Carlos de Seixas was born in the parish of São Cristóvão (St. Christopher) in the city of Coimbra on 11 June 1704, the son of the Cathedral organist, Francisco Vaz, and Marcelina Nunes. He was also appointed organist of Coimbra Cathedral on 9 February 1718 to replace his father, who died thirteen days later. At some point between 1720 and 1722 Carlos Seixas moved to Lisbon, initially teaching the harpsichord at Court and subsequently becoming an organist at the ...
Pancham Beats is the Sixth Event organised by Euphony in rememberance of the Musical Genius Rahul Dev Burman aka Panchamda . The show was held on 7th Aug 2009 at Kalamandir Kolkata . The original Pancham Musicians who performed in this show are - Manohari Singh , Franco Vaz,Bhanu Gupta , Ramesh Iyer , Amrut Rao Katkar,Viju Katkar along with Rohan Chavathe .
On September 10, 2009 Underscore Records, with generous support from the Ford Foundation, held a workshop entitled "Web Applications Made Easy for Music Makers" in Pune. The purpose of the day-long seminar was to introduce Indian musicians and instrument makers to web-based applications that could enhance their online communication abilities and professional networking opportunities. Participants were invited from Maharashtra, and many of them also attended an earlier workshop called Sangeet Aapkaa, Sangat Internet Ki in June 2009. The experts for the workshop were: Parimala Inamdar, an expert in educational technology design and research and currently, holding the post of Assistant Professor and Head Design Lab, Center for Research in Cognitive Systems, The NIIT Institute (TNI). Gaurav Vaz: Bass guitarist and Software Engineer, also currently Vice President, MuckWork, a music related startup. Venue: Yashada, Raj Bhavan Complex, Baner Road, Near Pune University Aundh, Pune, 411007 Participants: Anuradha Kuber, Arati Thakur, Arpana Pangtey, ChaitanyaKunte, Hema Upasani, JacobPanicker, Kunal Deshmukh, Mohankumar Darekar, Mukesh Narang, Paritosh Pohankar, Pushkar Lele, Ranjani Ramachandran, Revati Kamat, Sanjay Upadhye, Sudhir Nayak, Suryaksha Deshpande, Vishnu Sutar
DECIDE-TE LÁ RAPAZ! DIZ QUE SIM! Letra / Lyrics : Waitin', watchin' the clock, it's four o'clock, it's got to stop Tell him, take no more, she practices her speech As he opens the door, she rolls over... Pretends to sleep as he looks her over She lies and says she's in love with him, can't find a better man... She dreams in color, she dreams in red, can't find a better man... Can't find a better man Can't find a better man Ohh... Talkin' to herself, there's no one else who needs to know... She tells herself, oh... Memories back when she was bold and strong And waiting for the world to come along... Swears she knew it, now she swears he's gone She lies and says she's in love with him, can't find a better man... She dreams in color, she dreams in red, can't find a better man... She lies and says she still loves him, can't find a better man... She dreams in color, she dreams in red, can't find a better man... Can't find a better man Can't find a better man Yeah... She loved him, yeah... she don't want to leave this way She feeds him, yeah... that's why she'll be back again Can't find a better man Can't find a better man Can't find a better man Can't find a better... man...
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