YouTube Videos matching query: miles davis
Created by timetube on Jun 6, 2008
Last updated: 10/01/10 at 03:18 PM
Concierto de Aranjuez Album: Sketches of Spain (1960) Written by: Joaquín Rodrigo Personnel: Miles Davis — flugelhorn, trumpet Gil Evans — arranger, conductor Ernie Royal — trumpet Bernie Glow — trumpet Louis Mucci — trumpet Taft Jordan — trumpet Dick Hixon — trombone Frank Rehak — trombone Jimmy Buffington — French horn John Barrows — French horn Earl Chaplin — French horn Jimmy McAllister — Tuba Al Block — Flute Eddie Caine — Flute Romeo Penque — oboe Harold Feldman — clarinet, oboe Danny Bank — bass clarinet Jack Knitzer — bassoon Janet Putnam — harp Paul Chambers — bass Jimmy Cobb — drums Elvin Jones — percussion Jose Mangual — percussion
On April 2, 1959, producer Robert Herridge recorded the Miles Davis Quintet playing the classic "So What" in CBS studio 61, New York City. The piece was taped for an episode of the Robert Herridge Theater, titled "The Sound of Miles Davis." CBS broadcast the show on July 21, 1960. Personnel Miles Davis: Trumpet John Coltrane: Tenor Sax Wynton Kelly: Piano Paul Chambers: Double Bass Jimmy Cobb: Drums Historical Context: The first great Quintet/Sextet had disbanded after recording "Milestones ...
SUMMERTIME - Miles Davis gorata.net
Miles Davis Quintet - 'Round Midnight (1956 Columbia Records Version) Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums) from the album ''ROUND ABOUT MIDNIGHT'
Miles Davis Quintet - 'Round Midnight (1956 Columbia Records Version) Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums) from the album ''ROUND ABOUT MIDNIGHT'
Miles Davis y John coltrane. //////////////////////////////////////////////////////////////////////////// radiofreccia2008
The 50th Anniversary of Miles Davis' Kind of Blue is a very historic event. Legacy Recordings is releasing a Collector's Edition Box set on September 30 to celebrate this very important release. Take a look at this piece and see why this is such an important release, if you don't already know.
From his album "Round About Midnight" in 1958. Tracklisting: 1. 'Round Midnight 2. Ah-Leu-Cha 3. All of You 4. Bye Bye Blackbird 5. Tadd's Delight 6. Dear Old Stockholm
gotta love Jazz, this is by Miles Davis, if u start listening to Jazz, you'll get into it, trust me, PEACE, ONE LOVE
gotta love Jazz, this is by Miles Davis, if u start listening to Jazz, you'll get into it, trust me, PEACE, ONE LOVE
Multicultural stinkweed from a man who literally turned music inside out more than once. It's off the 1972 On The Corner album, a piece designed to appeal to a generation in love with Hendrix and Sly. The experiment didn't quite bring forth the youthful adulation he'd hoped for but it's now considered one of his most illuminating works. Tune it up. fender rhodes trance india china africa columbia ambient sly stone jimi hendrix george clinton p-funk larry graham chocolate milk herbie hancock
From his classic album "Bitches Brew". Bitches Brew is a studio double album by jazz musician Miles Davis, released in June of 1970 on Columbia Records. Recording sessions took place at Columbia's 30th Street Studio over the course of three days in August of 1969. The album continued Davis' experimentation of electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Often cited as one of Davis' best-selling albums and masterpieces, Bitches Brew marked a turning point in modern jazz.
Milestones is an album recorded in February and March 1958 by Miles Davis. It is renowned for including Miles' first forays into the developing modal jazz experiments, as noticed on the piece "Miles" (renamed 'Milestones'), which would be followed to its logical conclusion on Kind of Blue. Furthermore, the playing of his sextet, which featured Cannonball Adderley and John Coltrane contributing on such tracks as "Straight No Chaser", have induced it to be highly regarded by jazz musicians ...
Milestones is an album recorded in February and March 1958 by Miles Davis. It is renowned for including Miles' first forays into the developing modal jazz experiments, as noticed on the piece "Miles" (renamed 'Milestones'), which would be followed to its logical conclusion on Kind of Blue. Furthermore, the playing of his sextet, which featured Cannonball Adderley and John Coltrane contributing on such tracks as "Straight No Chaser", have induced it to be highly regarded by jazz musicians, fans and critics alike. It was also the last time the rhythm section of Jones, Garland and Chambers would ever play with Miles on record. Tracklisting: 1. "Dr. Jekyll" - 5:47 (Jackie McLean) 2. "Sid's Ahead" - 12:59 (Miles Davis) 3. "Two Bass Hit" - 5:13 (John Lewis - Dizzy Gillespie) 4. "Miles" - 5:45 (Miles Davis)[2] 5. "Billy Boy" - 7:14 (Traditional, arr. Ahmad Jamal) 6. "Straight, No Chaser" - 10:41 (Thelonious Monk)
Heres a Blues tune from the Legendary Album "Kind of Blue" by Miles Davis i leave you with Freddie Freeloader Enjoy *NOTE: I'm not out to harm the record sales of companies by posting videos of their label's music or anything of that nature. I just want to bring awareness to great music like this- heck, people that come across my videos might feel inclined to buy the album for themselves.*
Somethin' Else is a 1958 album by jazz musician Julian "Cannonball" Adderley, regarded as a landmark album in the hard bop and cool styles. This critically-acclaimed album is notable for the presence and prominent contributions of Miles Davis, in one of his few recording dates for Blue Note Records. Many critics and jazz fans consider Somethin' Else to be among the greatest jazz albums of all time. When alto saxophonist Cannonball Adderley culled together this quartet, he grabbed three ...
MILES FROM INDIA Cal Plaza, LA 6.1.08 concert produced by Yusuf Gandhi and Bob Belden www.milesfromindia.com Wallace Roney-tpt Rudresh Mahanthappa-alto sax Shounak Abhisheki-vocals Henry Kaiser-guitar Kalah Ramnath-violin Robert Irving-keys Adam Holzman-keys Benny Rietveld-electric bass Ndugu Chancler-drums Vince Wilburn-drums Badal Roy-tablas Sridnar-mridangam
Another off the 'Kind Of Blue' sessions. Awesome stuff here.
One of my most favourite Modern Jazz recording sessions. Cannonball Adderley .alt sax,leader Miles Davis .trumpet Hank Jones .piano Sam Jones .bass Art Blakey .drums My Favourite 100 Jazz Movies On YOUTUBE→ http://jazz-movies.seesaa.net/
"Right Off" recorded April 1970 featuring Herbie Hancock, John McLaughlin,Billy Cobham[replacing Buddy Miles] and Michael Henderson on Fender bass,with Steve Grossman on sax. Steve was a teen when he started to play for Miles. After seeing the famed Jimi Hendrix 1970 New Year's Concert at the Fillmore East, Miles was impressed with the performance,and sold on the concept of downsizing his band to power what he had referred to as the "new shit". Miles wanted Henderson to hold the group together and act as a reference point,while McLaughlin was to serve both as a catalytic driving force and counter point. Miles,who had admired Sugar Ray Robinson for his ability and cool demeanor, had given these sessions a lot of thought, wanting the music to capture the shuffling movement that boxers made, a hypnotic train like rhythm. After a contentious and somewhat unfocused project start,once the recordings were wrapped,Teo Macero,the musical director, reportedly called the results "dynamite" Miles was regularly working out at Gleason's boxing gym and was in great condition[and musical form] for the jam, which arguably contained the best solo of his career, to wit: 02:23 on this tape in B flat. From vinyl AAD
"Right Off" recorded April 1970 featuring Herbie Hancock, John McLaughlin,Billy Cobham[replacing Buddy Miles] and Michael Henderson on Fender bass,with Steve Grossman on sax. Steve was a teen when he started to play for Miles. After seeing the famed Jimi Hendrix 1970 New Year's Concert at the Fillmore East, Miles was impressed with the performance,and sold on the concept of downsizing his band to power what he had referred to as the "new shit". Miles wanted Henderson to hold the group together and act as a reference point,while McLaughlin was to serve both as a catalytic driving force and counter point. Miles,who had admired Sugar Ray Robinson for his ability and cool demeanor, had given these sessions a lot of thought, wanting the music to capture the shuffling movement that boxers made, a hypnotic train like rhythm. After a contentious and somewhat unfocused project start,once the recordings were wrapped,Teo Macero,the musical director, reportedly called the results "dynamite" Miles was regularly working out at Gleason's boxing gym and was in great condition[and musical form] for the jam, which arguably contained the best solo of his career, to wit: 02:23 on this tape in B flat. From vinyl A-A-D
"So What" is the first track on the 1959 Miles Davis and John Coltrane album Kind of Blue and is often credited as one of his best works. It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure. The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What". The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine. While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More. The same chord structure was later used by John Coltrane for his standard "Impressions".
the interviewer [TAMORI] is a famous comedian in Japan. 【マイルス・デイヴィスとの対談を振り返るタモリさん】 http://uk.youtube.com/watch?v=KGryQBLTOZ8
the interviewer [TAMORI] is a famous comedian in Japan. 【マイルス・デイヴィスとの対談を振り返るタモリさん】 http://uk.youtube.com/watch?v=KGryQBLTOZ8
the interviewer [TAMORI] is a famous comedian in Japan. 【マイルス・デイヴィスとの対談を振り返るタモリさん】 uk.youtube.com
I Waited For You - Miles Davis Miles Davis (tp) Gil Coggins (p) Percy Heath (b) Art Blakey (ds) Recorded at WOR Studios, NYC, April 20, 1953 Blue Note BLP 1502
Miles Davis from his legendary album "Kind Of Blue".
Miles Davis from his legendary album "Kind Of Blue".
Doo-Bop represents Miles Davis' last studio recording
Miles Davis and band play the best version of Michael Jackson's Human Nature that I have ever heard. Truly magical!
Miles Davis - My Funny Valentine
Miles Davis - My Funny Valentine
Please enjoy this song with stereo sound! Personnel: Miles Davis (trumpet), Hank Mobley (tenor sax), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums) from the album 'SOMEDAY MY PRINCE WILL COME' Miles Davis Quintet 1961 Recording Session http://www.dailymotion.com/60otaku/video/x42ny4_miles-davis-quintet_music
Please enjoy this song with stereo sound! Personnel: Miles Davis (trumpet), Hank Mobley (tenor sax), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums) from the album 'SOMEDAY MY PRINCE WILL COME' Miles Davis Quintet 1961 Recording Session http://www.dailymotion.com/60otaku/video/x42ny4_miles-davis-quintet_music
Another song from Kind of Blue
una de sus presentaciones el el festival ed jazz de montreux
Miles Davis & John Coltrane - So What - Avril 1959.
Miles Davis & John Coltrane - So What - Avril 1959.
Miles Davis & Herbie Hanckok - Live
Favoloso brano estratto dalla colonna sonora del film "Ascenseur pour l'echafaud" composta interamente da Miles Davis + galleria fotografica del grande trombettista.
Favoloso brano estratto dalla colonna sonora del film "Ascenseur pour l'echafaud" composta interamente da Miles Davis + galleria fotografica del grande trombettista.
1964 in Milan Miles Davis - trumpet Wayne Shorter - tenor sax Herbie Hancock - piano Ron Carter - bass Tony Williams - drums
1988
1988
Miles Davis - Doo Bop Song
Miles Davis - Doo Bop Song
Sonny Rollins remembers Miles Davis and his music, including how he first joined Miles.
Visit Sonny's website www.sonnyrollins.com and check out his latest release, Road Shows, Vol. 1, as well as lead sheets and transcriptions. Here, he remembers how he first joined his good friend and occasional musical partner, Miles Dewey Davis.
From his album Kind Of Blue
Miles at his best.
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